
In the fall of 2008, I wrote a screenplay I intended to film entirely in an Alzheimer’s Unit. After many weeks of rehearsals, I arrived at a troubling realization: I was not just making a challenging film—I was making the wrong film. Writing a fictional Alzheimer’s narrative—creating a neat and orderly plot whose course I could control, from a disease by nature chaotic and nonlinear—was impossible. In the way that a son or daughter doesn’t [...]


